X Factor (Week 7) - Joe McElderry Goes Supernova

With one's renewed interest in the X Factor competition, one was quite looking forward to this week’s musical mêlée. Fanny and Willy O’Dour had a night off from the Badger’s Snatch and one asked them if they would like to join Chu Me and I at Crusty Hall. They agreed.

One asked Chu Me to arrange for the Ballroom to be opened and prepared for our guests and he and chef prepared a mouth-watering selection.

Indeed, one’s mouth was drooling with anticipation at what was to come; tonight was George Michael night. When one was a young Damelette one always dreamt of sharing a cottage with the incredibly talented and handsome George … but sadly a Los Angeles police officer beat one to it and let’s be honest, a Dame of distinction is no match to a well equipped man with a handcuffs and an extending truncheon.

Anyhoo … As one’s guests and I gathered around the buffet table for some pre-competition nibbles, the delicious Dermott O’Leary took to the stage to get things underway. The doors at the rear of the stage opened and our four judges entered. Simon chose to keep his hairy cleavage and medallion covered and wore a tie; Louise gleamed as he faced the audience with a spotted dick lodged under his chin.

Danniiii wore a patchwork ensemble and Cheryl selected, what looked like, a crepe (although one is quite sure the word only has four letters … and there has never been an ‘e’ in it either) pink dress, a pair of shoes that Eliza Doolittle would have plied her trade in before meeting Professor ‘iggins and a headband resembling dear Mickey Mouse’s ears.

As we munched on our buckwheat blinis with smoked salmon and crème fraiche the contest began and first to sing to us this evening was Lloyd no-relation-to-Paul Daniels. His new hairstyle was beautifully crafted and it only helped accentuate his boyish good looks and, quite frankly, he looked lovely as he performed ‘Faith’.

One did get a shock at one point when the camera panned to Simon Cowell and he had his hand over his mouth as if he was going to vomit. Then, of course, one realised that the stage was highly polished and he had clearly caught his reflection and suffered an adverse reaction.

The delightful Stacey Solomon was to follow with her interpretation of ‘Make You Love Me’. Flanked by swaying musicians, plucking their instruments she produced a wonderful performance. She certainly had a blend of a young Babs Streisand and Celine Dion about her.

We were all enjoying the evening and one had briefly wondered why one had turned one’s back on the show … then one remembered … the Brothers Grime!

As Chu Me turned to bang his head against the wall in disbelief, Willy shouted,” Look at the pair of them! They look as camp as tits in those outfits!”

“Willy! Language!” Fanny shouted.

Looking at them in their little, tight, white suits with frigate sized sneakers, one could quite understand where Willy was coming from and told Fanny not to concern herself.

This week the twins were singing a Wham medley … badly … and in true Jedward style, the backing vocals were at such a level that they could have been singing like Dame Edna Everage and it would have sounded acceptable. One would have received more pleasure having one's fingernails ripped out without anaesthetic than one did from their performance.

After a rather fraught week, our next potential pop poppet, Danyl Johnson stood centre stage (he who has a penchant for the man-biscuit as well as the lady-trifle). No backing singers, no theatricals and no nonsense, just him and his voice. Though his earpiece forced him off tune at the start of the song, he pulled it out of his aural canal and pitch was resumed, providing a lovely few minutes in our lives.

The penultimate act of the night was Oily Mares. This week he was excited that the performance was to be “more sexy, more modern and more current”. Certainly as he stood on stage in his black jeans and black shirt there was a resemblance to a shrivelled small baking ingredient but sadly there was no more fruitiness he could muster for his version of ‘Fast Love’. At times he was as flat as a witch’s tit and - all in all - a mediocre performance was unleashed.

One had enjoyed the acts so far but there was something missing … but what was it? Then as one’s heart began pounding more rapidly beneath one’s bosom and Fanny announced, “Crusty, your cheeks are very flushed! Are you not feeling well?” It was then that one realised the last act of the night must be our South Shields stud-muffin Joe McElderry.

He took to the stage for ‘Don’t Let The Sun Go Down On Me’. Fanny and I looked at each other and screamed. Chu Me and Willy tutted and walked back to the buffet table. Juicy Joe’s interpretation of the song was incredible and he had the entire audience spellbound. As he let rip on his finale, one was over come and one’s legs buckled causing Crusty to drop towards the floor. Luckily, Fanny was there to catch me as all four judges were getting to their feet for an ovation.

As one’s dear friend cooled me with her flapping fan, all I could say in weak, whispered tones was, “oh Fanny, wasn’t he a-b-s-o-l-u-t-e-l-y awe-inspiring?”

The results show and our treat was the adorable Susan Boyle and the foof-flashing, hooter-hoisting Harpy, Mariah Scarey. The latter sang her latest over-worked offering of a Foreigner song with a million golden sperm flying around on the screen behind her … what Chu Me? … Butterflies? … Then it’s a long time since you’ve seen a butterfly, dear; one knows sperm when one sees it and trust your mistress, she was surrounded in it.”

After her high pitched whining it was down to the result and our bottom two were The Brothers Grime (hooorah!!) and Oily Mares (¡Joder! y ¡Qué sorpresa!).

Thankfully, this week there was no spineless nonsense from the judges and one must say Danniii Minge (sorry, my keyboard’s sticking) is ascending to new heights in Crusty’s estimation … she’s certainly proving to be a young woman with a lot of spunk.

Anyhoo ... The Twins were out!!!!! (Get your hat and coat’s, dears, the exit’s at the back of the stage. Don't talk to anyone and leave your dressing room key at the stage door).